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'68/69 Marshall with a '08/54 'Strat'





'The 'Girls'
 

Fender Stratocasters



Especially ones from the '50's, including a
pair of blonde's with gold plated hardware.
(A '56 and '57.)

Used on the Fallen Angel CD were two
'54 'Strat's. One with a heavly flamed neck.

Also used was a custom built 'Strat' style
guitar composed of a one piece Ash ESP
body, a Phil Kubicki neck and Seymour Duncan 'Classic Stack' 'Strat' pick ups.

Acoustics: Taylor and Guild as well as
a hand made classical guitar by luthier
Bruce Clark.

(Left to Right) A '56, '56/'57 and a '57.
(The '56/'57 was on loan from Howard Leese at the time.)



 
'The Boys"


Marshall Amps



Used to record Fallen Angel as well as
The Holy Grail
was a late '68 early '69
100w 'Plexi' head that had been modified
by Reihold Bogner through (cirica '68 - '69,) 4x12 'Basket Weave' cabinets with 25w
green back Celestion speakers.

Late '60s Marshalls with a '58 'Strat'



 
'Significant Others'


TC Electronics Booster pedal

(Original) Ibanez TS-9 (Tube Screamer)

The TC Booster pedal was used on the
Fallen Angel
CD in boost mode only. Basically to drive the front end of the
Marshall a little harder.

On The Holy Grail CD, only the TS-9
was used.

All other effects were added added in the
studio at the mix stage.


TS-9

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